THE MINISTRY OF PEACE: Nationalism Archives

"It was not desirable that the proles should have strong political feelings. All that was required of them was a primitive patriotism which could be appealed to whenever it was necessary to make them accept longer working-hours or shorter rations. And even when they became discontented, as they sometimes did, their discontent led nowhere, because being without general ideas, they could only focus it on petty specific grievances. The larger evils invariably escaped their notice."

- Part 1, Chapter 7

The ideal set up by the Party was something huge, terrible, and glittering -- a world of steel and concrete, of monstrous machines and terrifying weapons -- a nation of warriors and fanatics, marching forward in perfect unity, all thinking the same thoughts and shouting the same slogans, perpetually working, fighting, triumphing, persecuting -- three hundred million people all with the same face. The reality was decaying, dingy cities where underfed people shuffled to and fro in leaky shoes, in patched-up nineteenth-century houses that smelt always of cabbage and bad lavatories.

- Part 1, Chapter 7

Powerful and continuing expressions of nationalism. From the prominent displays of flags and bunting to the ubiquitous lapel pins, the fervor to show patriotic nationalism, both on the part of the regime itself and of citizens caught up in its frenzy, was always obvious. Catchy slogans, pride in the military, and demands for unity were common themes in expressing this nationalism. It was usually coupled with a suspicion of things foreign that often bordered on xenophobia.

Shut Your Faces

Bill Nevins, a New Mexico high school teacher and personal friend, was fired last year and classes in poetry and the poetry club at Rio Rancho High School were permanently terminated. It had nothing to do with obscenity, but it had everything to do with extremist politics.

The "Slam Team" was a group of teenage poets who asked Nevins to serve as faculty adviser to their club. The teens, mostly shy youngsters, were taught to read their poetry aloud and before audiences. Rio Rancho High School gave the Slam Team access to the school's closed-circuit television once a week and the poets thrived.

In March 2003, a teenage girl named Courtney presented one of her poems before an audience at Barnes & Noble bookstore in Albuquerque, then read the poem live on the school's closed-circuit television channel.

A school military liaison and the high school principal accused the girl of being "un-American" because she criticized the war in Iraq and the Bush administration's failure to give substance to its "No child left behind" education policy.

The girl's mother, also a teacher, was ordered by the principal to destroy the child's poetry. The mother refused and may lose her job.

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Excerpt made on Thursday May 20, 2004 at 02:19 PM | View Full Excerpt »

Donna Huanca works as a docent at the Art Car Museum, an avant-garde gallery in Houston. Around 10:30 on the morning of November 7, before she opened the museum, two men wearing suits and carrying leather portfolios came to her door.

"I told them to wait until we opened at 11:00," she recalls. "Then they pulled their badges out."

The two men were Terrence Donahue of the FBI and Steven Smith of the Secret Service.

"They said they had several reports of anti-American activity going on here and wanted to see the exhibit," she says. The museum was running a show called "Secret Wars," which contains many anti-war statements that were commissioned before September 11.

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